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Trilby by George Du Maurier is an interesting glimpse into the popular culture of 1850. In this novel, one is exposed to the art and the music and the climate of spiritualism that was very much a part of the times. This was Bohemia. Trilby is a novel of music. Each important event is puncuated by music, even the title, Trilby, is a musical note-a trill. The best way to appreciate this novel is to emmerse yourself in the music for it is the music that can evoke the spirit of the times. |
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I have found many links to the music in Trilby. On this site you will find musical links of midi files, links to the authors of the songs and additional information about the music.Trilby created quite a stir when the book was published with stage productions, musicals, 5 films, ice cream, cocktails and a Flordia City were created in hommage to the novel. I can envision one day a CD of the music that one can play while reading the book but for now just scroll down and click on the links. |
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In the beginning of Trilby
we are introduced to the"Three Musketeers of the Brush,"
Taffy, the Laird and Little Billie, by the poems and illustrations in
the first few pages of the novel. These poems set the tone of the novel
and give the reader an authentic voice of the 1850's. " And here
he was in Paris famous, painting toreadors, and spouting the Ballad
of the Bouillabaise, as he would often do out of sheer lightness of
heart---much oftner, indeed than he would say his prayers." (6).
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Poems to set the tone |
Author |
Dates |
Lyrics and Music |
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The Ballad of Bouillabaisse |
First
published in Punch : 17 Feb 1849 |
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list of his works on the web |
1811-1863 |
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The Laird of Cockpen |
Published in 1846 |
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When we are
introduced to the great Svengali, he shows off his virtuosity as a master
of music, playing Chopin and Schubert music like Trilby and Little Billee
had never heard before. Svengali was hypnotizing and they were all under
his musical spell. "Then he fell to playing Chopin's impromptu in
A flat so beautifully that Little Billee's heart went nigh to bursting
with suppressed emotion." (12).
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Music in Chapter 1 |
Composer |
Dates |
Lyrics & Music |
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Impromptu in A flat |
1837 |
Music scroll down for OP. 29 |
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1838 |
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1805 |
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The Blue Bells of Scotland |
Traditional Folk
Song
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1800's |
Music & Lyrics with an explaination of the song at the end |
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Czardas |
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Music there is a MIDI file under contents |
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Rosamunde--- Op. 29 #1 A minor |
1823 |
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1848 |
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The Christmas party was
based on a true event in du Mauriers life and lasted until eight the next
morning. He had lived on the Rue Notre Dame des Champs #57 in 1857. "And
suddenly the studio, which had been so silent, dark and dull, with Taffy
and Little Billee sitting hopeless and despondent round the stove, became
a scene of the noisiest, busiest, and cheerfullest animation." (114).
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Songs sung at the revillion feast |
Composer |
Date |
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Le Cantique de Noel
Oh Holy Night |
1847 |
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John Renfro Davis |
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The Sire of Framboisy |
E.Bourget-poetry |
1855 |
Midi File & words |
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Young Bucks A hunting Go |
Traditional English Broadside Ballad |
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My
Sister Dear |
1828 |
Music
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The Hallelujah Chorus |
Handel’s Messish |
1742 |
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Plaisir d’amour This song has been recorded by Joan Baez and Marianne Faithful |
1785
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| Little Billie returned to London after his bout with brain fever. "He was especially fond of frequenting sing-songs, or 'free-and-easies,' where good hard-working fellows met of an evining to relax and smoke and drink and sing, round steaming tumblers and pewter pots, at one end of which sits Mr Chairman in all his glory, and at the other Mr Vice." (158). | |||
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Songs sung in the Free-and-Easies |
Composer |
Date |
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Kathleen
Mavoureen |
Music by Frederick W. Nicholls Crouch |
1840 |
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Heart of Oak |
1759 |
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| When the three Muskeeters of the Brush are reunited in London they go the Palace on Campden Hill to hear a concert by the most famous singers of the era. It the first time they have word of Svengali and the newest sensation, La Svengali, whose "...voice is a detail. It's what she does with it--- it's incredable! it gives one cold all down the back! it drives you mad! it makes you weep hot tears by the spoonful! Ah!"(169). | |||
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Concert at Sir Louis Cornelys |
Composer |
Date |
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Miserere sung by Signor Giuglina & Adelina Patti |
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Plaisir
d'amour
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1785 | ||
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Chanson
de Musset Bonjour
Suzon
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Glorioli
An article by Geo. Orwell about anti- semitism |
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| This is the most dramatic point of the book when Little Billee, The Laird and Taffy go to the theater to hear the most acclaimed singer of the day---La Svengali or as they find out---Trilby. " It made him sick and faint to remember, and filled him with hot shame, and then and there his love for Trilby became as that of a dog for its master!" (214). | |||
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La Svengali at Le Cirque des Bashibazoucks |
Composer |
Date |
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Clair
de Lune
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French Nursery Rhyme |
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Nussbaum |
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Ben Bolt |
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Chanson de Printemps |
1860 |
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1709 or 1722 |
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impromptu A Flat de Chopin, |
1837 |
Music
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| In the final scenes of the novel, Gecko's devotion for Trilby causes him to strike Svengali when "Finally he struck her two or three smart blows on her knuckles with his baton, and she fell on her knees, weeping and crying..." (246). | |||
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Trilby
sings
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Composer
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Date
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| Trilby perishes and Gecko remembers, " Ach! what an existence! what travels! what triumphs! what adventures! things to fill a book---a dozen books---Those five happy years---with those two Trilbys!" (300). | |||
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Opera Lucille |
1769 |
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Textural information: Du Maurier, George. Trilby. Oxford: Oxford University Press, 1998. This site was created by Lara Elaine Bonow and was edited on August 20, 2003 |